Midnight at The Never Get
York Theatre Company at Saint Peter’s
October 2 – November 4, 2018

The York Theatre Company presents the Off-Broadway premiere of the acclaimed new musical Midnight at The Never Get, with book, music, and lyrics by Mark Sonnenblick, co-conceived by Sam Bolen, by arrangement with Visceral Entertainment and Mark Cortale Productions.  Directed by Max Friedman, with choreography by Andrew Palermo, and music direction/arrangements by Adam Podd, the cast features Sam Bolen, Jeremy Cohen, and Jon J. Peterson.  

A brand new musical by York NEO writer and 2018 Jonathan Larson Award winner Mark Sonnenblick, Midnight at The Never Get tells the story of singer Trevor Copeland and songwriter Arthur Brightman, who have the perfect New York romance. That’s swell. In 1965, it’s also against the law. So, in the back room of The Never Get, an illegal Greenwich Village gay bar, they put together a show called Midnight—a nightclub act where Trevor sings Arthur’s love songs with their male pronouns intact. But as the lovers hurtle toward the end of the decade, they find themselves caught in a passion they can’t control and a political revolution they don’t understand.  Featuring a seductive score inspired by the Great American Songbook, Midnight at The Never Get is a sultry meditation on identity, memory, and enduring romance.

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Musicals in Mufti
Jule Styne Celebration
York Theatre Company at Saint Peter’s


The York Theatre Company’s acclaimed Musicals in Mufti series of musical theatre gems, performed in a simply-staged, book-in-hand concert format, celebrates its twenty-second historic year of shows from the past that deserve a second look.  Mufti means “in street clothes, without the trappings associated with a full production.”

Hallelujah, Baby!

Hallelujah, Baby!  tells of Georgina, an African-American woman on her journey to financial and social independence during the most tumultuous socio-political times in U.S. history. A chronicle of the African-American struggle for equality during the first half of the 20th century. Hallelujah, Baby! launched the career of Broadway and TV legend Leslie Uggams. The rich score includes “My Own Morning,” "Talking to Yourself,” and “Being Good.”  This presentation marks the New York premiere of the revised version that Laurents created for productions at the George Street Playhouse and Arena Stage in 2004 and 2005, with additional lyrics by Amanda Green.


Press Release

Production Photos


Bar Mitzvah Boy
The second show in the series is the rarely seen Bar Mitzvah Boy, with music by Jule Styne, lyrics by Tony and Oscar winner Don Black, and book by Jack Rosenthal, as adapted by David Thompson.  Based on Rosenthal's award-winning 1976 BBC1 teleplay of the same name, Bar Mitzvah Boy is a bittersweet musical comedy about a young Jewish boy who runs away from the Bar Mitzvah into which his parents have poured their efforts and their money. Looking at the adult world, young Eliot Green doubts if he can cope with being a part of it. Rosenthal’s hysterical story of a family’s anxious build up to their only son’s Bar Mitzvah will resonate with many Jewish families, but this classic tale speaks loudly for any important family occasion – whatever the religion. Originally produced at Her Majesty’s Theatre in the West End in 1978, Bar Mitzvah Boy is composer Jule Styne’s only musical written expressly for London, and this presentation marks the New York premiere of a new version first presented in London in 2016, with a book adapted by David Thompson and new songs with lyrics by Black, using previously unheard Styne melodies. Annette Jolles (Mark Felt, Superstar!) directs with music direction by Darren R. Cohen. 


Press Release

Production Photos

Subways Are for Sleeping
The Winter 2018 series concludes with the 1961 Broadway musical Subways Are for Sleeping with music by Jule Styne and book and lyrics by Betty Comden and Adolph Green. Originally produced by David Merrick, Subways tells the tale of Angie, a reporter sent to get the scoop on a segment of NYC society—a group of well-dressed homeless people sleeping in the New York subway system—that lives by their own rules. Going undercover, Angie learns how the carefree other half lives and begins to see there might be another way to experience the world.  Subways Are for Sleeping is perhaps best known for an infamous publicity stunt in which Merrick invited New Yorkers with the same names as some of the prominent theatre critics at the time, using their favorable reviews in a print ad.  Stuart Ross (Enter Laughing) will direct.

​Press Release

Production Photos

Desperate Measures

at York Theatre Company


The York Theatre Company (James Morgan, Producing Artistic Director; Evans Haile, Executive Director), dedicated to the development of new musicals and preserving musical gems from the past, in association with Pat Flicker Addiss, has put a new block of tickets on sale for the clever, funny and hilarious new musical Desperate Measures, with book and lyrics by Peter Kellogg (Anna Karenina) and music by David Friedman (Scandalous).  The critics are raving!

Directed and choreographed by Bill Castellino (Marry Harry, Cagney) and with music direction by David Hancock Turner (The World Will Not Contain Us), the six-member cast features Emma Degerstedt (The Little Mermaid) as Susanna/Sister Mary Jo, Gary Marachek (1776) as Father Morse, Lauren Molina (Rock of Ages) as Bella Rose, Conor Ryan (john and jen) as Johnny Blood, Peter Saide (Skin Tight) as Sheriff Green, and Nick Wyman (Les Misérables) as Governor von Richterhenkenpflichtgetruber. Understudies are Anthony Festa, Celia Hottenstein, and Tom Souhrada.
 
In 1890, in a territory out West, Johnny Blood, a hot-tempered young cowboy is sentenced to hang for killing a man in a bar fight. His sister, a novice nun in a nearby mission, is persuaded to plead with a corrupt governor to spare her brother’s life. The governor promises to pardon Johnny if his sister, the Sister, will 'do his bidding' for the night. Adding to the humorous complications are a hard-bitten sheriff, a voluptuous saloon girl and a priest who reads Nietzsche.

Christmas in Hell

at the York Theatre Company


Looking for a sweet, wholesome holiday musical? Well, this ain’t it!  On Christmas Eve, little eight-year-old Davin is mistakenly taken down to Hell.  When he returns, not only has he missed Christmas, but he is devilishly changed.  To set things right, his father embarks on a hilarious and outrageous odyssey that eventually leads him down to Hell, where he makes a wager with the Devil he can’t possibly win.  Christmas in Hell, with book, music, and lyrics by Gary Apple, is a wild, irreverent, and surprisingly touching musical comedy about the absurd lengths we’ll go to for the ones we love.  After award-winning appearances at the NY Fringe Festival and NYMF, Christmas in Hell now arrives at The York for a full production, way more naughty than nice.


The creative team includes James Morgan (Set Design), Tyler M. Holland (Costume Design), Yael Lubetzky (Lighting Design), Julian Evans (Sound Design), Zach Serafin (Props Design), and Kevin Maloof (Production Manager).  Production Stage Manager is Arthur Atkinson and the Assistant Stage Manager is Rhonda Picou. Carol Hanzel is Casting Director. Christmas in Hell is produced in association with Xmas in Hell LLC, La Vie Productions, and Yelena Raykhman.


Click here for press release 

Jerry's Girls

at York Theatre Company


Light the Candles! Get the Ice Out! Blow the Bugle! The York Theatre Company (James Morgan, Producing Artistic Director; Evans Haile, Interim Executive Director), dedicated to the development of new musicals and preserving musical gems from the past, has announced Tony Award-nominee Stephanie D’Abruzzo (Avenue Q), Christine Pedi (NEWSical the Musical), and Stephanie Umoh (Ragtime) will lead the parade of the special  Summer  2017 Musicals  in  Mufti presentation of the hit Broadway revue Jerry’s  Girls, with  music  and  lyrics by Jerry  Herman  and  concept  by Larry Alford, WayneCilento,  and Jerry  Herman,  featuring  the  greatest  songs  for  women  from such  immortal  musicals as Mame,  Hello  Dolly!, Milk and Honey, Mack and Mabel, A Day in Hollywood/A Night in the Ukraine and La Cage Aux Folles. Jerry’s Girls will be directed by York favorite Pamela Hunt (Berlin to Broadway with Kurt Weill), with music direction by Eric Svejcar (Marry Harry).


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Enter Laughing

at York Theatre Company

​May 7th to June 23rd


What better way to celebrate The York’s 50th Anniversary than with the return of The York’s runaway hit, Enter Laughing: The Musical? Based on Carl Reiner’s semi-autobiographical novel and Joseph Stein’s stage adaptation, this hilariously tuneful musical careens through the misadventures of star-struck, stage-struck, woman-struck teenager David Kolowitz, who pratfalls his way into manhood via the theatre in 1930sNewYorkCity.Enter Laughing: The Musical is the perfect show for anyone who has ever had a dream of stardom, an overbearing mother, a song in their heart, or who just needs a heartfelt, side-splitting laugh fest. As the New York Post said,“you may not enter the theatre laughing, but once there, you're guaranteed not to stop.”“Burnt into my memory is that celebrity-packed evening at the York Theatre, watching Stuart Ross’ musical production of Joe Stein’s stage adaptation of my autobiographical novel, “Enter Laughing,”shared Carl Reiner.“A goodly share of credit goes to Stan Daniels for his brilliant music and lyrics.”He went on to state,“The evening inspired one audience member, Jerry Seinfeld, to take out an a din the New York Times urging people to try to get a ticket to see this unbelievably funny show.


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Me and Ella
at The York Theatre Company

Set against the restless backdrop of the 20th Century and the lush serenity of the Ella Fitzgerald songbook, Broadway veteran Andrea Frierson’s Me & Ella is a valentine to the “First Lady of Song.” Ms. Frierson’s personal storytelling and song stylings provide a loving glimpse into why Ella’s music, heart and determination to overcome the challenges in her life and career continue to inspire. Me & Ella was featured last season as part of the York’s Developmental Reading Series and commemorates the centennial of the legendary songstress.

Press Releases

How To Be An American!

at York Theatre Company at St. Peter's


The year is 1905. One week before the next election. New York City. Tammany Hall politician George Washington Plunkitt has gathered a group of new immigrants for the purpose of educating them on the subtleties of the American political system. Come join the party in this Mufti-style staged concert performance, and experience a real-life lesson on honest graft, dishonest graft and the American way that's as relevant now as it was over 100 years ago!


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Press Release

Unexpected Joy

at York Theatre Company at Saint Peter's


Unexpected Joy is the story of three generations of female singers, long-held family tensions and a week together where change is in the air – Joy, a baby boomer pop star, is visited by her daughter, Rachel and granddaughter Tamara. Rachel is married to a prominent televangelist, so Joy is reluctant to divulge that she’s planning to marry Lou, another singer who happens to be a woman. A week with all four together is bound to lead to tension, laughter, discoveries and happiness that really is unexpected. Let the sparks and music fly!


Press Release

Production Photos

Mark Felt, Superstar

at The York Theatre Company


When former FBI agent Mark Felt revealed in 2005 that he had been Deep Throat, the secret source who helped Washington Post reporters Bob Woodward and Carl Bernstein bring down President Richard Nixon, he ended one of the most intriguing chapters in the history of journalism (and one of the worst in U.S. politics).


In this whimsical, jazzy musical romp, the multi-talented cast of five together portray twenty-four colorful characters in a fast-moving, illuminating take on the shocking political scandal that riveted America and still reverberates today. Part thriller, part tragedy, part comedy, Mark Felt, Superstar will have you rethinking everything you thought you knew about Deep Throat and Watergate, all while being transported by some irresistible musical numbers.

A Taste of Things to Come

at York Theatre Company at St. Peter's


It’s the 1950s. The beginning of rock n’ roll. The racial barrier has begun to crack. The Korean War is over, husbands are returning home and the Cold War has begun. Ronald Reagan is a model for Lifebuoy Soap and Rock Hudson is on the cover of LIFE Magazine as “The World’s Most Eligible Bachelor.” And women are getting antsy. Smack dab in the middle of America, in Winnetka, IL, four friends gather for a weekly Betty Crocker cooking contest, imagining how the prizes might change their lives.  Usually, it’s LIFE Magazine that’s read cover to cover in between mixing, sifting, and chopping. However, a different kind of reading material arrives, and shocked (but inspired) by the Kinsey Report, their lives take an interesting set of turns. In an age that believes that the way to a man’s heart is through his stomach, they will discover that the way to a woman’s heart is through her best friends. The first mainstage production of the season, A Taste of Things to Come will inaugurate the newly renovated York Theatre space (new seats, new carpeting, new look).  It is presented in association with Staci Levine and What's Cookin' LLC.


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Press Release

York Theatre Company: Past Productions

Marry Harry
At York Theatre Company

The York Theatre Company continues its 2016-2017 season with the New York premiere of the new musical Marry Harry, a romantic comedy set in New York’s East Village, about two adults on the verge of thirty who need help in cutting the parental ties that hold a little too tightly.  Marry Harry explores ideas about family loyalty, marriage, love, food, and finding one’s path in life—with humor, heart and just the right amount of spice.  Marry Harry, which has a book by Jennifer Robbins, music by Dan Martin, and lyrics by Michael Biello, will be directed and choreographed by Bill Castellino (Cagney, Storyville).  Broadway.com had this to share: “exceptional…must-see musical theater at its very best!”  The Examiner called it “a heart-felt love letter to musical comedy.”  


Press Releases

     Richard Hillman Public Relations